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The Beatles, album "Live in Japan"

Lyrics of the album - Listen the album

Concert albums - Studio Dark Horse - 1992
stereo: 13.07.1992

Live in Japan

  1. 04:33 I Want to Tell You (George Harrison)

    GEORGE 1980: '…about the avalanche of thoughts that are so hard to write down or say or transmit.'
  2. 03:51 Old Brown Shoe (George Harrison)

  3. 04:16 Taxman (George Harrison and John Lennon)

    GEORGE 1980: ''Taxman' was when I first realized that even though we had started earning money, we were actually giving most of it away in taxes.
    It was and still is typical.'

    JOHN 1980: 'I remember the day he (George) called to ask for help on 'Taxman,' one of his first songs.
    I threw in a few one-liners to help the song along because that's what he asked for.
    He came to me because he couldn't go to Paul.
    Paul wouldn't have helped him at that period.
    I didn't want to do it.
    I just sort of bit my tongue and said OK.
    It had been John and Paul for so long, he'd been left out because he hadn't been a songwriter up until then.'

    PAUL 1984: 'George wrote that and I played guitar on it.
    He wrote it in anger at finding out what the taxman did.
    He had never known before then what could happen to your money.'

    GEORGE 1987: 'I was pleased to have Paul play that bit on 'Taxman.' If you notice, he did like a little Indian bit on it for me.'

  4. 03:37 Give Me Love (Give Me Peace on Earth) (George Harrison)

  5. 03:50 If I Needed Someone (George Harrison)

    GEORGE 1980: ''If I Needed Someone' is like a million other songs written around a D chord.
    If you move your finger about you get various little melodies.
    That guitar line, or variations on it, is found in many a song, and it amazes me that people still find new permutations of the same notes.'
  6. 05:21 Something (George Harrison)

    PAUL 1969: 'I like George's song 'Something.' For me I think it's the best he's written.'

    GEORGE 1969: 'I wrote the song 'Something' for the album before this one, but I never finished it off until just recently.
    I usually get the first few lines of words and music together, both at once… and then finish the rest of the melody.
    Then I have to write the words.
    It's like another song I wrote when we were in India.
    I wrote the whole first verse and just said everything I wanted to say, and so now I need to write a couple more verses.
    I find that much more difficult.
    But John gave me a handy tip.
    He said, 'Once you start to write a song, try to finish it straight away while you're still in the same mood.' Sometimes you go back to it and you're in a whole different state of mind.
    So now, I do try to finish them straight away.'

    GEORGE 1980: ''Something' was written on the paino while we were making the White Album.
    I had a break while Paul was doing some overdubbing so I went into an empty studio and began to write.
    That's really all there is to it, except the middle took some time to sort out.
    It didn't go on the White Album because we'd already finished all the tracks.'

  7. 04:47 What Is Life (George Harrison)

  8. 04:20 Dark Horse (George Harrison)

  9. 02:56 Piggies (George Harrison)

    GEORGE 1980: ''Piggies' is a social comment.
    I was stuck for one line in the middle until my mother came up with the lyric, 'What they need is a damn good whacking' which is a nice simple way of saying they need a good hiding.
    It needed to rhyme with 'backing,' 'lacking,' and had absolutely nothing to do with American policemen or Californian shagnasties!'

    JOHN 1980: 'I gave George a couple of lines about forks and knives and eating bacon.'

  10. 04:56 Got My Mind Set on You (Rudy Clark)

  11. 04:23 Cloud 9 (George Harrison)

  12. 03:31 Here Comes the Sun (George Harrison)

    GEORGE 1980: '…written at a time when Apple was getting like school, where we had to go and be businessmen – all this signing accounts, and 'sign this' and 'sign that.' Anyway, it seems as if winter in England goes on forever; by the time spring comes you really deserve it.
    So one day I decided, 'I'm going to sag-off Apple,' and I went over to Eric Clapton's house.
    I was walking in his garden.
    The relief of not having to go and see all those dopey accountants was wonderful.
    And I was walking around the garden with one of Eric's acoustic guitars, and wrote 'Here Comes The Sun.'
  13. 05:42 My Sweet Lord (George Harrison)

  14. 04:26 All Those Years Ago (George Harrison)

  15. 03:53 Cheer Down (George Harrison and Tom Petty)

  16. 04:25 Devil's Radio (George Harrison)

  17. 06:33 Isn't It a Pity (George Harrison)

  18. 07:09 While My Guitar Gently Weeps (George Harrison)

    GEORGE 1980: 'I had a copy of the I Ching – the Book of Changes, which seemed to me to be based on the Eastern concept that everything is relative to everything else, as opposed to the Western view that things are merely coincidental.
    The idea was in my head when I visited my parents' home in the North of England.
    I decided to write a song based on the first thing I saw upon opening any book – as it would be relative to that moment, at that time.
    I picked up a book at random, opened it – saw 'gently weeps' – than laid the book down again and started the song.
    Some of the words to the song were changed before I finally recorded it.'

    GEORGE 1987: 'I worked on that song with John, Paul, and Ringo one day, and they were not interested in it at all.
    And I knew inside of me that it was a nice song.
    The next day I was with Eric Clapton, and I was going into the session, and I said, 'We're going to do this song.
    Come and play on it.' He said, 'Oh no.
    I can't do that.
    Nobody ever plays on the Beatles records.' I said, 'Look, it's my song, and I want you to play on it.' So Eric came in, and the other guys were as good as gold – because he was there.
    Also, it left me free to just play the rhythm and do the vocal.
    So Eric played that, and I thought it was really good.
    Then we listened to it back, and he said, 'Ah, there's a problem though; it's not Beatley enough.' So we put it through the ADT (automatic double-track) to wobble it up a bit.'

  19. 04:45 Roll Over Beethoven (Chuck Berry)


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